![]() Most people take one of two approaches when setting ratio and threshold. Ratio and Threshold are the two key players in compression, and how they are set in relation to eachother can make or break the type of sound you are trying to achieve. Ratios of around 2:1 and 3:1 are great for general dynamic control, and upwards of 4:1 are closer to limiting and squashing type effects.Ĭonfused about the difference between compressors and limiters? We have you covered □ Combining Ratio and Threshold This can be a confusing concept, but higher ratios = more compression. Wanna find out what other mixing mistakes you might be making? Check out our full guide here □ How The Hell Does Compression Work?Ĭompression is just volume changing over time, really fast.įor example, a ratio of 2:1 will turn a signal that is 1dB over the threshold down by 0.5dB.īecause for every 2dB that crosses the threshold on the input, it will output only 1dB over the threshold.īut a ratio of 4:1 will turn that signal down by 0.75dB, leaving only 0.25dB over the threshold left.īecause for every 4dB that crosses the threshold on the input, it will output only 1dB over the threshold. Setting the Threshold and Ratio on Logic Pro Xs Compressor is easy thanks to the reactive and visually-striking Gain Reduction Meter. While it can contribute, many producers overlook many other factors involved with mixing and production as a whole, like: ![]() Unfortunately, compression often ends up becoming praised as the holy grail of a fat, full and loud mix. It’s a tool that can be used well, or poorly. In fact, it’s an important tool that I would place in the top 4 most crucial for mixing: our professional limiter, EQ, multiband dynamics and compressor plug-ins. Now that we’ve learned how compression works, it’s up to us to figure out which type of compressor to use in our productions. FabFilter Pro-Q 3 is a high quality equalizer plug-in with unrivalled sound. The Vintage VCA is an emulation of the famous Solid State Logic compressor present in the SSL 4000 Series channel strip. Logic Pro X’s Compressor gets the MusicTech tutorial treatment. Here are a few ways by which you can master in Logic Pro X. Otherwise, you’ll make the same mistake I did: endlessly tweaking a compressor, hoping it would fix my crappy songs.įirst of all, it’s important to understand that like any audio effect, compression is simply a tool. Logic Pro X is one of the best digital audio workstations (DAW) in the market today. ![]() ![]() Getting More Advanced with Compression □īefore we dive into the complexities and technicalities of how a compressor works, it’s important that you understand it from an overall perspective. ![]()
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